Life is full of successes and failures. I've had so many successes lately in this new technique of using powder on fiber, that a failure is hard to take. Here is my latest piece, starting from the first firing that developed into "puddles". This was pink powder.
Then for the first time, I added a second color powder, orange, onto the fiber, covering the puddles of pink. Lena's instructions said to spray water over to clean off the fired puddles. I did that on one piece (a real mess), and on this piece decided to use a fan-shaped brush to clean off the orange powder. It worked well, less messy, still took a long time. Here is the piece after the second firing.
It still looks questionable, doesn't it. Well, I forged onward and added a piece of black glass that was cut slightly larger. It is simply beautiful. It is unbelievable. It doesn't look like the same piece. It will be slumped in a 7" square mold.
Now for the failure. I haven't been able to look at this piece for days, as it would have been fantastic. BUT it developed a bubble on the surface. I'll eventually try to grind it, add a layer of clear powder to the top and refire it. I had success with one other piece with a bubble, so maybe it will work. My friend added a decal to cover an imperfection, so that is also a possibility. This piece is about 4" x 12".
Showing posts with label glass powders. Show all posts
Showing posts with label glass powders. Show all posts
Sunday, May 24, 2015
Friday, May 15, 2015
RECENT PROJECTS
I've had a dragonfly mold from Colour de Verre for years, but it has never been used ... until a couple days ago. There's a lot of wait time when you are fusing glass, and the garage is toasty warm. Yes, we have cooler days in Southern California, too. So you take advantage of this with embossing, using the hydraulic press, or cutting glass for future fusing projects.
I saw a wonderful video at Creative Paradise for using their dragonfly mold, so had to try one. You can find the videos at their web site under Glass, then Tutorials/Videos. I didn't have the exact colors Stephanie used, but I think my first try came out well! For their coarse dichroic frit, I smashed a small piece of dichroic glass to use in the wings. A 4" piece of 16 gauge copper wire is inserted into the frit before firing, and it can be attached to a stake later. Wouldn't these dragonflies make wonderful additions to potted plants or your flower garden! Next time I make one (maybe today!), I'll be more careful to brush away the glass between the wings. See the extra glass in the photograph.
I've been doing more fused glass projects using the powder on fiber method. The first photo shows my two pieces with powders before the first firing. This was on Mother's Day, and I told my friend I was doing a "wild and crazy" piece in honor of this day! I'm sure you can tell which one that was....
Here are closeups of these two pieces showing the "puddles" formed after the first firing. My daughter looked in the kiln and just shook her head ... (no appreciation of Mom's art work, I guess). Ha. I have added a clear piece of glass on top and will fire a second time.
See the difference with the clear glass on top? They are looking better!
I added a piece of black glass to the bottom of the pieces and ... WOW, the colors have popped and they really look good!
I slumped "Wild and Crazy" into my new mold yesterday. This mold has sharp points on each end, so cutting the glass to fit the shape was not easy. I ended up rounding the ends and balancing the glass in the mold. In my first attempt, something made me look into the kiln at 400 degrees. The glass had slipped down one end, the other end was sticking up!! The Kiln God was definitely looking over that piece. I waited for the kiln to cool, reset the piece on the mold and never left its side until the glass started to sag into the mold. I am slumping the other piece now, and at 560 degrees it is still sitting pretty on the mold.
I saw a wonderful video at Creative Paradise for using their dragonfly mold, so had to try one. You can find the videos at their web site under Glass, then Tutorials/Videos. I didn't have the exact colors Stephanie used, but I think my first try came out well! For their coarse dichroic frit, I smashed a small piece of dichroic glass to use in the wings. A 4" piece of 16 gauge copper wire is inserted into the frit before firing, and it can be attached to a stake later. Wouldn't these dragonflies make wonderful additions to potted plants or your flower garden! Next time I make one (maybe today!), I'll be more careful to brush away the glass between the wings. See the extra glass in the photograph.
I've been doing more fused glass projects using the powder on fiber method. The first photo shows my two pieces with powders before the first firing. This was on Mother's Day, and I told my friend I was doing a "wild and crazy" piece in honor of this day! I'm sure you can tell which one that was....
Here are closeups of these two pieces showing the "puddles" formed after the first firing. My daughter looked in the kiln and just shook her head ... (no appreciation of Mom's art work, I guess). Ha. I have added a clear piece of glass on top and will fire a second time.
See the difference with the clear glass on top? They are looking better!
I added a piece of black glass to the bottom of the pieces and ... WOW, the colors have popped and they really look good!
I slumped "Wild and Crazy" into my new mold yesterday. This mold has sharp points on each end, so cutting the glass to fit the shape was not easy. I ended up rounding the ends and balancing the glass in the mold. In my first attempt, something made me look into the kiln at 400 degrees. The glass had slipped down one end, the other end was sticking up!! The Kiln God was definitely looking over that piece. I waited for the kiln to cool, reset the piece on the mold and never left its side until the glass started to sag into the mold. I am slumping the other piece now, and at 560 degrees it is still sitting pretty on the mold.
Tuesday, May 5, 2015
TWO POWDER ON FIBER PIECES
My kiln got a rest today, as all the pieces waiting to be slumped are finished!!! In my last post, I showed a photo of three pieces still in the kiln. I cut them with curved sides to fit a shallow bowl mold I recently purchased. I slumped two of them in 7" square molds and really like the shape better. I LOVE creating these crackle patterns! Tomorrow I'll start on more pieces.
Friday, May 1, 2015
POWDER ON FIBER PIECES
I've finished a few pieces and am working on a few more. You know, waiting for the kiln to cool and then opening it compares to being a child at Christmas time ... it's so exciting. Be sure to read my April 16th post if you are interested in this technique and want to order the ebook by Lena Beckeus.
Here are two little bowls I just love. They are made with a small 5" Bullseye mold with a round bottom, so they will rock if you push them. Perfect for holding your earrings or keys at the end of the day. I love the puddles of powder!
Here is the rectangular dish that measures 4" x 10".
And the 7" square dish:
The next pieces are made a little differently, by adding glass on top of the powders and then firing. Without the glass on top you get "puddles"; with the glass you see a crackle effect. Simply beautiful. I followed my friend Drewcilla's example, by putting black glass behind and firing again. The richness it added is incredible.
Here's an experiment I did on a small coaster. I love this combination.
I'll be working on these three pieces that are cooling in the kiln. They were fired with glass on top of the powders. You can see there is a lot of cold working to do around the edges. Can't wait to see how they will look with black glass on the back! Winner, Winner ... Chicken Dinner!
Here are two little bowls I just love. They are made with a small 5" Bullseye mold with a round bottom, so they will rock if you push them. Perfect for holding your earrings or keys at the end of the day. I love the puddles of powder!
Here is the rectangular dish that measures 4" x 10".
And the 7" square dish:
The next pieces are made a little differently, by adding glass on top of the powders and then firing. Without the glass on top you get "puddles"; with the glass you see a crackle effect. Simply beautiful. I followed my friend Drewcilla's example, by putting black glass behind and firing again. The richness it added is incredible.
Here's an experiment I did on a small coaster. I love this combination.
I'll be working on these three pieces that are cooling in the kiln. They were fired with glass on top of the powders. You can see there is a lot of cold working to do around the edges. Can't wait to see how they will look with black glass on the back! Winner, Winner ... Chicken Dinner!
Friday, April 17, 2015
ALCHEMY GLASS AND SILVER FOIL PIECES
Are you familiar with the work of Tanya Veit from AAE Glass ... and her webinars presented through Glass Patterns Quarterly? In fact, on the Glass Patterns site, under Glass Expert Webinars, Tanya is repeating her 3 hour "The Pebble Experience" on May 9th. I've seen all her webinars, plus have many of Tanya's DVDs available from AAE Glass. She also has many instructional videos (free) on YouTube. ALSO .... she presents a Saturday night video once a month to subscribers of her blog. She is really a wonderful teacher and just bubbling over with energy! Be prepared, as she talks very fast! You have to be a speed writer.
I made a couple pieces from last month's Saturday night video and fired them yesterday. These were made with Bullseye's alchemy glass (two different colors), along with silver foil, stencils and glass powders. I like them. The two colors of glass were cut into 1/2" strips. Next time I'll use more powder and use solid pieces of glass, rather than strips. Maybe small bowls? More to come ...
I made a couple pieces from last month's Saturday night video and fired them yesterday. These were made with Bullseye's alchemy glass (two different colors), along with silver foil, stencils and glass powders. I like them. The two colors of glass were cut into 1/2" strips. Next time I'll use more powder and use solid pieces of glass, rather than strips. Maybe small bowls? More to come ...
Thursday, April 16, 2015
WORKING WITH GLASS POWDERS
I recently ordered an ebook by Lena Beckeus, who has been experimenting with glass powders on fiber paper. If your work includes fusing glass, I highly recommend this. Here is a link to purchasing her book:
http://my.bookbaby.com/book/glass-fusing-design-techniques-with-powders-on-fiber-paper
She started a group on Facebook for those who purchase her book as a place to show their new work and learn more from her and others. It's really fun seeing everyone's pieces.
I finally had to try it myself ... although I won't be showing the FB group my pieces yet! I have a limited supply of glass powders, so I tried a couple I had. I like two of the three pieces I made and will slump them in molds next. They are very simple. The top piece is a 6" square and the bottom is 4" x 10". Isn't it interesting how the powder separates into puddles?! Am I going to order a few more new colors? You know I will ...
http://my.bookbaby.com/book/glass-fusing-design-techniques-with-powders-on-fiber-paper
She started a group on Facebook for those who purchase her book as a place to show their new work and learn more from her and others. It's really fun seeing everyone's pieces.
I finally had to try it myself ... although I won't be showing the FB group my pieces yet! I have a limited supply of glass powders, so I tried a couple I had. I like two of the three pieces I made and will slump them in molds next. They are very simple. The top piece is a 6" square and the bottom is 4" x 10". Isn't it interesting how the powder separates into puddles?! Am I going to order a few more new colors? You know I will ...
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